Tuesday, May 10, 2005

i wanted to throw this out there since it relates to the 2 books i have just finished and the other book i just am about to start...a brave new world, 1984 and amused to death. i am going to write an entry soon regarding these two negative utopias...and contrast them from some great neg- utopian movies...but that is soon...first a real writer.

from Stuart McAllister
"Amusing Ourselves to Death"

--------------------------------------------------------------------------------


When the apostle John cautioned us about loving the world and the things in it—"the cravings of sinful man, the lust of his eyes and the boasting of what he has and does"—I'm sure he could not have imagined a context such as ours, where images, ideas, and pleasures dominate our horizons 24 hours a day, and where the availability and accessibility of any kind of fantasy is ubiquitous.

Entertainment and all that it implies and conveys is not simply an option that we have the privilege to explore occasionally; it has become for many a way of living. For many others, it has become simply an ailment undiagnosed. The problem with living in a culture is that we are blinded to its nature, narratives, and influence on our lives.

Thankfully, there are voices of caution from higher education, such as Neil Postman’s. In his book Amusing Ourselves To Death, he contrasts the futuristic visions of George Orwell’s 1984 and Aldous Huxley’s Brave New World:

What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who would want to read one…. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared that we would become a trivial culture…. As Huxley remarked: the civil libertarians and rationalists who are ever on the alert to oppose tyranny “failed to take into account man’s almost infinite appetite for distractions.” In 1984, Huxley added, people are controlled by inflicting pain. In Brave New World, they are controlled by inflicting pleasure. In short, Orwell feared that what we hate will ruin us. Huxley feared that what we love will ruin us.

His book examines the possibility that Huxley, not Orwell, was right, and his point is well taken.

Our cultural mantra invites us to easy, laidback living, to life as it essentially pleases, entertains, or comforts you. And by subtle and not-so-subtle means, it undermines and erodes the core commitments and essential virtues necessary to live a life of freedom, reality, and truth. Living only for the sake of pleasure can only in the end make us slaves. The unrestrained appeasement of desire only expands our hunger for it. Popular culture fosters alternative views of ultimacy; it invites us to escape from reality, to submerge ourselves in a world of fantasy, make-believe, and imagination. By brilliant technical skill and powerful use of image and sound, our emotions are stimulated, our senses enlivened, and our dreams (and nightmares) envisioned.

Entertainment may have a place in our life, but it becomes a serious issue when it is the supreme focus of our life. The God revealed to us in Creation, in Scripture, in the story of Israel, and ultimately in Jesus, calls us to a singular focus, a serious commitment and a life of obedience, worship, and discipline. His call for our lives is to set our focus, our attention and our commitment upon Him, his will, and his way. We are invited to enter life as God intends, to enjoy the works of creation, and to explore the cultural mandate to express our creativity under God.

The apostle John may not have envisioned a world such as ours when he cautioned against being blinded by love for the world, but God's Word is exceptionally relevant: "The world and its desires pass away, but the man who does the will of God lives forever" (1 John 2:17). He invites us to consider whether we are pursuing that which is true life, or whether we are more accurately "amusing ourselves to death."

Wednesday, May 04, 2005

home...

i live in a house built in the 1930's. we are the third owner. it is a 2 bedroom and one bath house!

for a living, i design homes for people. if a family has only 2 kids, rarely does the house have less than 3 rooms. why do we feel we must have at least the ratio of 1 room per child?

i place these two paragraphs side by side and wonder why have we gone to such an extravagance? what is the real purpose for all of this space? how did a family raise children in the house i live in?

it is JUST our generation that is doing this...my father lived in an APARTMENT with 3 siblings and 2 parents in india. he occasionaly slept out on the balcony since he was the oldest. i have started to study the origins of the modern house for a project i am doing. it is interesting to think that most lived in a single room for so many years. children probably witnessed their parents being amourous...yes, i am cringing too, but it allowed them to see what REAL love is. they saw a wholesome love instead of the crap on TV.

i went to lunch with a friend of mine who has raised his 4 children without a TV in the house. he said they just bought ONE...it is a portable probably smaller than the computer screen i am looking at...so they could all watch TV together. he and his wife with his 2 children who are still here in town get into bed and all watch a show together. and no...they are in jr high and high school!! incredible.

do we blame the falling apart of the family on some external thing ..or is it simpler than that. we have all just isolated ourselves from each other. in the big city it is easy to be a narcisist...since it feels like there is absolutely no connection between each other. we have managed to break that down to our families!

so how come we dream of that master suite addition? how come i think about a 10x11 room in the townhomes i design as too small. why do i take up SO much space?